![]() So you can have the line quality you want for your cleanup, with the brush you want, that means a lot more expressivity and possibilities than vector drawing apps. it is easier to manage with the system Nathan describes: "put my red/blue lines on another layer than my cleanup and just add it as a source on my ctg layer (that way it's easier to erase it afterward). ![]() Something I don't quite understand is why the Japanese system still draws all these color separations on a single layer, with multiple colors. I discovered Cacani some weeks ago and in fact i found it really rich and clever, but for cleanup coloring and inbeetweening only. It permits me to keep the cleanup I drew and add contour lines to be sure the color works as i want it to work, it's sometimes painful to use CTG layers with a weird cleanup style.Īnd on my school films me often used the line colorize FX, that is doing a pretty great job.Īnyway the animation tools and scripts in TVPaint are also onderful, doing a great job having a "traditional animation feel" and ease of use that is hard to find elsewhere (lightable, off the peg, image marks and bookmarks, flips, scripts etc.) ![]() So you can have the line quality you want for your cleanup, with the brush you want, that means a lot more expressivity and possibilities than vector drawing apps.Īnd i use another layer above that is a "correction layer" for my cleanup also listed as a source, in case the CTG layer doesn't do what i want. Personally i even put my red/blue lines on another layer than my cleanup and just add it as a source on my ctg layer (that way it's easier to erase it afterward). ![]()
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